The Archive.

Updated August 2010 .



Mahavishnu Orchestra 7-20-74.
Fortunately an audience tape of this performance exists , with quality ranging from poor to very good- mainly due to wind drift. Most of it is very listenable ,  although it is incomplete- 90 mins.The total show ran for 100 min.

Set list

Wings of Karma                  19'
Sanctuary                            12'05
Vision is a Naked Sword    30'
band members introduced    2'
Hymn to Him                      38'

Thanks to David Graham for the set list.

The line up of the band was also probably identical to Apocalypse - which was

 

  • John McLaughlin -electric guitar
  • Jean-Luc Ponty -electric violin
  • Gayle Moran -keyboards
  • Ralphe Armstrong - electric bass
  • Michael Walden- drums
  • Carol Shive - violin
  • Marsha Westbrook -viola
  • Philip Hirschi - cello
  • Steve Frankewicz
  • with the addition of Bob Knapp -trumpet , flugelhorn, flute- (featured on Hymn to Him)
  • Steven Kindler -violin 

A DVD of this band playing at Montreux 1974 is available and well worth purchasing as it features some songs played at Knebworth.

Photograph courtesy of Bazza.

To view a close up of the band click the main photo


 My review of the Mahavishnu Orchestra set , from memory and the audience tape
   We then got the band intros from McLaughlin but unfortunately this is somewhat garbled on the tape.  By this time 60 or so minutes had passed and the band had only paused once .This was difficult music , no catchy tunes, no vocals , no overt  crowd appeal with scantily clad chick singers or leather trousered groin splitting guitarists- just top quality playing which was totally original and inspired in its concept and which made some big demands of its listeners.

click to see larger image

    The next track was Hymn to Him which featured an excellent keyboard solo and then the band  moved into another unknown track, during which bass player Ralphe Armstrong got to strut his stuff for a minute or two and then, unfortunately , the tape that I have cuts.

© Nigel Barton


    McLaughlin's always unique guitar sound was largely a highlight of this show, but this was not by any means just a vehicle for him to show off his prowess as an axe man, anything but.  This bands music echoed its leaders  spiritual leanings , always searching , striving to reach for a numinous , mystical state and often succeeding, but which was also in turns funky and  powerful - rarely have I come across a better performance at a festival. There was very solid applause at the end of this set, which was great , considering the lack of commerciality of the entire show .

© Nigel Barton

 


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Knebworth Concerts 1974-86

 

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